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Solid metal rod Ø 10 mm 45 cm long Exchangeable tip Ebony cone

Basic series lightweight ABS hardshell case for electric bass guitar, square-shaped model • Material: Moulded ABS (shape),aluminium (reinforcement edges)and black plush (interior)• Padding: High-density foam• Grip: Large moulded handle• Fastener: Chrome latches• Feature: 1 internal case for small items• Colour: Black

Metallophone set Comprising: - 1 metallophone: 62.5 x 35 cm/ 2.5 octave: F5~C8 - 1 practice drum pad (diameter: 19.5 cm) - 1 tripod stand - 1 lectern - 1 pair of mallets - 1 pair of drumsticks- Comes in an ergonomic nylon gigbag.

Stagg CA S-WT Kastanjetter, treverk

Stagg KEB A30 Keyboard bench •Keyboard benk m / "X" sammenleggbare ben•Hoyde justerbar i 4 posisjoner m / sikkerhet lockscrew: 52, 58, 62-65 cm•Sete dimensjoner: (60 cm) / L x (32 cm) / W•Tildekking: svart vinyl•Vekt: 4,8 Kg •Metal ben i sort finish.

2-CHANNEL WIRELESS SYSTEM UHF WIRLSS 2HEADST.

Aluminium lightweight carrier with foam rubber protection padding The shoulder rack can be adjusted in multiple angles (left to right) The body can be adjusted in 6 positions 10mm diameter connection bar hooks with adjustable height Wrench included Requires MASP-HKA10 hook adapters for use with marching snare or tenor drums Finish White Net weight 3.97lb / 1.8kg

STAGG MASD 1455 TROMME SKARP m/bøyle 14" x 5.5" Marching snare drum w/ carrier - 7-ply basswood shell w/ 6-pair die-cast zinc tension lugs and 1.5mm black triple flanged steel hoops - coated head - Lightweight aluminium carrier w/ foam rubber protection pads; height-adjustable in 6 positions, from: 38 to 52cm (distance from shoulder top to drum head) - Pair of sticks,drum key and wrench included - Finish: White - Net weight: 4.75kg

Suitable for: Hooks with a diameter of 10 mm (0.4") maximum, Stagg marching carriers MACA-SD10 and MACA-SD20

Flexible tube and mouthpiece for plastic melodica Mouthpiece, flexible tube

2-Channel, passive DI box with Mono/Stereo switch - Diecast black metal housing featuring(per channel): High impedance input jack for pick-up, mic, instrument, etc, High impedance output jack for routing original signal to amplifier, Low impedance balanced XLR output for use with a mixing console, Ground lift switch to reduce hum problems - Unit is suitable for either on stage, studio and broadcast applications - Dim(DxWxH): 9 * 13.7 * 5 cm/ 3.5 * 5.4 * 2.0 in

LED spotlight with 18 x 3W Cold and Warm White LED's + motorized zoom KingPAR 6 ZOOM - output: 6.750 Lux @ 1m - with 7-channel DMX-512 protocol - dimmer, strobe, cold white, warm white, color temperature presets, zoom, zoom speed - stepless zoom: 15° to 60° - master/slave function - power consumption: 90W - metal housing - 4-button, 16-section display - passive cooling, no noise - also suitable as a stand-alone spotlight thanks to 2 adjustable mounting brackets - 3pin DMX input & output - IEC power input & output - dim. (LxWxH): 300 x 300 x 380mm - net weight: 3.8kg - for indoor use.

Timpani mallets w/ maple handle and (35 mm) felt head - Hard maple stick, wooden core, high grade felt head - Soft but tonal w/ enough up front attack for clarity - Suitable for in/ outdoor marching and concert applications - Length: (380 mm).

1PR.MAPLE TIMPANI MALLET DIA50 Timpani mallets with maple handle and 50 mm (1.96") round felt head - Material: Maple (handle) and felt (head) - Head: Hard felt for clear attack - Suitable for: Indoor and outdoor (marching and concert applications) - Length: 371 mm (14.6")

Stagg SNCL001 Gitar reim - • Lyd-hulls nylon stropp for Klassiske gitarer og Ukuleler • (25 mm) nylon stropp med plast lyd-hulls krok • halsstropp med to spenner, for lengdejustering fra (68,6 til 91,4 cm)

Deluxe machine heads 3 x 3, with half-closed axis, for classical guitar, gold finish, white buttons

Diecast machine heads 2 x 3, for acoustic guitar - buttons: composite wood, black

Diecast machine heads 2 x 3, for acoustic guitar - chrome finish

Stagg STB 10 C bag for klassisk 10 mm polstring Ryggsekk stropper Lomme for rekvisita 

Basic series padded nylon bag for jumbo acoustic guitar - Padding: 10 mm (0.39") foam and internal reinforcement areas for strings, bridge and strap button - Material: nylon - Grips: 2 shoulder straps and 1 handle - Fastener: 1 zipper - Special feature: 1 outer pouch - Colour: Black - Dimensions: 116 x 44,5 x 11 cm (45.3 x 17.8 x 4.3") Rugged & gig ready jumbo acoustic guitar bag

Stagg UKC10-BAG for concert ukulele 10 mm polstring Ryggsekk stropper

Gummi stemmekile sort, B-12mm,H-12 mm, L-98mm til stemming av piano.

Deluxe stemmekile i tre til stemming av piano.

The Ray4 bass is the cousins of the Music Man StingRay 4 bass. Classic, iconic instruments that defined a generation of bassists since the late 70's. Active electronics, low noise hum bucking pickups, rock solid hardware and a simple, uncluttered look that is instantly recognizable and respected. - -Basswood body -Maple neck with Jatoba fretboard -21 frets -6 bolt neck attachment -H1 ceramic humbucker -Active preamp with 2-band EQ

The Ray4 bass is the cousins of the Music Man StingRay 4 bass. Classic, iconic instruments that defined a generation of bassists since the late 70's. Active electronics, low noise hum bucking pickups, rock solid hardware and a simple, uncluttered look that is instantly recognizable and respected. - -Basswood body -Maple neck with Jatoba fretboard -21 frets -6 bolt neck attachment -H1 ceramic humbucker -Active preamp with 2-band EQ

neck shim 0.25 degree shaped for electric bolt-on neck guitar To change the angle of a bolt-on neck, players and repair shops have used shims for years. All kinds of materials have been used, from matchbook covers to guitar picks stuck in neck joints. In the early days Fender™ used shims for factory setup work as well, particularly for JM and Jag models. At first a synthetic rubber strip was used, from the mid-sixties a material similar to thin cardboard / sandpaper appeared. These kinds of shims create an unwanted gap under the heel of the neck: a dead air space where humidity condenses to swell the wood. As Dan Erlewine describes in his Guitar Player Repair Guide: "This gap may cause an upward kink in the neck. And many players feel they lose tone unless firm contact is maintained between the neck and the body." StewMac created tapered shims that cover the entire heel of the neck. With these ready-made shims, that work is done for you. Making a quality shim takes time! Keep these on hand for a quick turnaround on this common repair. There are 3 different degrees available for changing the pitch of a bolt-on neck. The 0.25-degree shim offers the most versatility. Stacking them will let you really dial in the neck angle you're after. The 0.5-degree shim is the one you'll reach for most often. It works great on Fender™ and many other solid body guitars. The 1-degree shim is great for guitars like the JM and Jag that benefit from a setup with a steeper neck angle in order to increase string pressure on the bridge. Current ‘American Original’-reissues of these models actually feature a 1-degree angled neck pocket to negate the need for a shim but vintage guitars and earlier reissues from the USA, Mexico and Japan don’t have this feature. Taper specs (approximate): 0.25-degree shim tapers from 0.030" to 0.019" (0.76mm to 0.48mm) 0.5-degree shim tapers from 0.028" to 0.008" (0.71mm to 0.20mm) 1-degree shim tapers from 0.060" to 0.010" (1.52mm to 0.25mm) Dimensions: 2-3/16" x 3" (55.56mm x 76.12mm) These shims fit most Fender™ neck pockets with a rounded heel. You can trim along the lasered line to fit the shim to a pocket with a flat heel, like a TL. Made of solid maple to match the guitar neck.

neck shim 0.5 degree shaped for electric bolt-on neck guitar To change the angle of a bolt-on neck, players and repair shops have used shims for years. All kinds of materials have been used, from matchbook covers to guitar picks stuck in neck joints. In the early days Fender™ used shims for factory setup work as well, particularly for JM and Jag models. At first a synthetic rubber strip was used, from the mid-sixties a material similar to thin cardboard / sandpaper appeared. These kinds of shims create an unwanted gap under the heel of the neck: a dead air space where humidity condenses to swell the wood. As Dan Erlewine describes in his Guitar Player Repair Guide: "This gap may cause an upward kink in the neck. And many players feel they lose tone unless firm contact is maintained between the neck and the body." StewMac created tapered shims that cover the entire heel of the neck. With these ready-made shims, that work is done for you. Making a quality shim takes time! Keep these on hand for a quick turnaround on this common repair. There are 3 different degrees available for changing the pitch of a bolt-on neck. The 0.25-degree shim offers the most versatility. Stacking them will let you really dial in the neck angle you're after. The 0.5-degree shim is the one you'll reach for most often. It works great on Fender™ and many other solid body guitars. The 1-degree shim is great for guitars like the JM and Jag that benefit from a setup with a steeper neck angle in order to increase string pressure on the bridge. Current ‘American Original’-reissues of these models actually feature a 1-degree angled neck pocket to negate the need for a shim but vintage guitars and earlier reissues from the USA, Mexico and Japan don’t have this feature. Taper specs (approximate): 0.25-degree shim tapers from 0.030" to 0.019" (0.76mm to 0.48mm) 0.5-degree shim tapers from 0.028" to 0.008" (0.71mm to 0.20mm) 1-degree shim tapers from 0.060" to 0.010" (1.52mm to 0.25mm) Dimensions: 2-3/16" x 3" (55.56mm x 76.12mm) These shims fit most Fender™ neck pockets with a rounded heel. You can trim along the lasered line to fit the shim to a pocket with a flat heel, like a TL. Made of solid maple to match the guitar neck.

neck shim 1.00 degree shaped for electric bolt-on neck guitar To change the angle of a bolt-on neck, players and repair shops have used shims for years. All kinds of materials have been used, from matchbook covers to guitar picks stuck in neck joints. In the early days Fender™ used shims for factory setup work as well, particularly for JM and Jag models. At first a synthetic rubber strip was used, from the mid-sixties a material similar to thin cardboard / sandpaper appeared. These kinds of shims create an unwanted gap under the heel of the neck: a dead air space where humidity condenses to swell the wood. As Dan Erlewine describes in his Guitar Player Repair Guide: "This gap may cause an upward kink in the neck. And many players feel they lose tone unless firm contact is maintained between the neck and the body." StewMac created tapered shims that cover the entire heel of the neck. With these ready-made shims, that work is done for you. Making a quality shim takes time! Keep these on hand for a quick turnaround on this common repair. There are 3 different degrees available for changing the pitch of a bolt-on neck. The 0.25-degree shim offers the most versatility. Stacking them will let you really dial in the neck angle you're after. The 0.5-degree shim is the one you'll reach for most often. It works great on Fender™ and many other solid body guitars. The 1-degree shim is great for guitars like the JM and Jag that benefit from a setup with a steeper neck angle in order to increase string pressure on the bridge. Current ‘American Original’-reissues of these models actually feature a 1-degree angled neck pocket to negate the need for a shim but vintage guitars and earlier reissues from the USA, Mexico and Japan don’t have this feature. Taper specs (approximate): 0.25-degree shim tapers from 0.030" to 0.019" (0.76mm to 0.48mm) 0.5-degree shim tapers from 0.028" to 0.008" (0.71mm to 0.20mm) 1-degree shim tapers from 0.060" to 0.010" (1.52mm to 0.25mm) Dimensions: 2-3/16" x 3" (55.56mm x 76.12mm) These shims fit most Fender™ neck pockets with a rounded heel. You can trim along the lasered line to fit the shim to a pocket with a flat heel, like a TL. Made of solid maple to match the guitar neck.

Metal

This is a new range of power units designed specifically for professional sound-broadcasting systems with service and emergency messages. Thanks to the great reliability of the protection circuits used, combined with an attractive appearance and the very tough structures, the MPA range constitutes the ideal product for quality amplification, with a particularly interesting price/ performance ratio. If this amplifier is used in emergency systems, it is possible to disable all the front-panel controls (tone and volume controls). In this way it is possible to prevent the levels set at the time of commissioning the system from being altered accidentally.   Balanced line input/output (XLR-F and XLR-M sockets, with adjustable sensitivity). Unbalanced line input (double RCA socket) MBT 1101 microphone station input (RJ45 socket) Telephone/emergency audio input for priority calls with adjustable threshold and sensitivity Front panel overall volume control and treble and bass controls Rear-panel selector switch for enabling/disabling front-panel tone and volume controls Constant voltage (50/70/100 V) or 8 Oimpedance loudspeaker line output. LED-type Vu meter for clear and immediate monitoring of output power Contacts for activating precedence on line input Alerting signal (chime) with level control Selectable 230/115 VAC and 24 VDC mains power supply

The ECO88S with zinc alloy body, reinforced grille and supercardioid directivity. It is built for the user and suitable for all applications, which makes this economic design the best value choic Features Nd magnet capsule, high sensitivity Reinforced metal grille Application Vocal Speech Type: Dynamic Polar Pattern: Supercardioid Frequency Response: 80-12,000 Hz Sensitivity: -53 dBV/Pa (2.2 mV) Output Impedance: 500 O Min. Load Impedance: 500 O Max. SPL: 130 dB SPL Finish: Titanium blue Connector: XLR3M Dimensions: Ø54 × 180 mm (Ø2.13" × 7.09") Net Weight: 250 g (8.8 oz) Accessories Furnished: HM9A mic clip;YA2 threaded adapter;Punch Packaging: Colorful outer packaging

liten og elegant clipon tuner som kan snus 360 grader. stemming med rask respons. Oppladbar med 24 timers brukstid. Stillemodus: Kromatisk Stilleområde: A0 (2750 Hz) - C8 (4186 Hz) Påvisningsmetode: Vibrasjon Responstid: <20 ms Presisjon: ± 1 cent Strøm: 3,7V (litium-polymerbatteri) Dimensjoner: 3428,5 mm, 28,5 mm Vekt: 14 g

Innovativ og overraskende liten pedal tuner, som ikke tar opp mer plass på brettet enn nødvendig! Godt synlig High Definition LED. True bypass Supply: 9V effect Dimensions: 41mm*41m*43 A4 value range: 430-449Hz

Slank og elegant strømforsyning i aluminium med 9 output. Justerbar styrke. Ekstra USB output - 5V 1A USB utgangsgrensesnitt - 9 utgangsgrensesnitt: - 7DC 9V 100mA utgang, - 1DC 4-9V 500mA justerbar utgang, - 1*5V 1A USB utgang

Den innovative WS-70 trådløse senderen og mottakeren er det ideelle tilbehøret for enhver musiker. Dette toppmoderne trådløse systemet sikrer at musikken din høres med enestående klarhet og pålitelighet. Med avansert UHF digital overføringsteknologi tilbyr det en sterk støyfri, lav latens og en imponerende overførings avstand på opptil 50 meter. - Avansert UHF digital overføringsteknologi - Krystallklar lyd uten avbrudd - Lyd overføring opptil 50 meter - Innebygd oppladbart batteri: Opptil 6 timers kontinuerlig bruk - Enkel overvåking av batterilevetid - Mindre enn 2ms for sømløs lyd - Koble til opptil 100 enheter uten forstyrrelser Dynamisk område: =90 dB Kanal: 100 kanaler Signal-til-støy-forhold: =85 dB Forsinkelse: =2 ms Overføringsavstand: Opptil 50 meter Frekvensområde: 500-527 MHz Arbeidstid: 6 timer Ladetid: 2 timer (5V 1A)