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NEW CRYSTAL: New STABILON fibre for the core, new computer-based technology and even more accurate automated checks during manufacturing have further enhanced the characteristics of the popular CRYSTAL range. - - Larger overtones, fast and more accurate response - Quality sound projection from pianissimo to fortissimo - Set with ball end - Medium 23.4kg/50.99lbs

Referred by many as the main workhorse of the Artisan Series, the Artisan C Class has now received new cool colors to really make a presence wherever it is being played. A lighter, more player-friendly Poplar body is used, while the same premium hardware such as the MetalCraft M bridge with versatile string loading system and Bartolini® MK-1 pickup set with Markbass® MB-1 preamp add superb tone and playability to the new Artisan C4 Deluxe. Poplar Body Poplar is a fine tonewood that is reminiscent of Alder in sonic character. Full sounding with strong mids and a firm low-end that’s well balanced across the tonal spectrum, Poplar suits a variety of musical genres and playing styles for both electric guitars and basses. Bartolini® MK-1 Pickups The trademark Bartolini® sound is preserved in the MK-1 while providing outstanding sound quality and value. The MK-1 delivers plenty of punchy and warm mids along with transparent and brilliant highs for a superbly balanced sound. Markbass® MB-1 Preamp The Markbass® MB-1 preamp provides a very natural and transparent boost that does not color the organic nature or resonance of the instrument’s woods. The combination of crystal clarity and natural warmth exudes a passive feel with smooth lows, full-bodied mids, and bell-like highs. MetalCraft M Bridge The solid, high-mass MetalCraft M bridge was developed with more focus on ease-of-use and greater tone transfer. Depending on the thickness of the strings, the dual string loading system allows the strings to be loaded either through the body or from the top to find the best optimal string tension, resulting in enhanced sustain, greater playability and focused sound. MetalCraft M has a string spacing of 19mm (0.748") for the 4-string M4. Hard Maple Neck & Jatoba Fretboard The combination of hard maple neck and jatoba fretboard provides tone balance and stability, as well as long sustaining durability. CONSTRUCTION Bolt-On BODY Poplar NUT WIDTH 1 1/2"(38mm) NECK Hard Maple FRETBOARD Jatoba Radius: 15.75"(400mm) FRETS 24 SCALE 34"(864mm) INLAY White Dots TUNERS Die-Cast BRIDGE MetalCraft M4 PICKUPS Bartolini® MK-1 Pickups ELECTRONICS Markbass® MB-1 Preamp HARDWARE Black STRINGS D'Addario® EXL165

Introduced in 2020, the Core Series guitars enjoyed its fast growing popularity thanks to its focus and dedication on what truly makes acoustic guitars great: keeping it simple yet elegant, with great playability and natural acoustic sound. Cort continues the same effort with the introduction of Core-GA Blackwood, a new body style all- solid acoustic guitar that follows the same discipline and focus that made the previous Core Series so much more enjoyable and valuable. Open Pore Light Burst CONSTRUCTION Dovetail Neck Joint CUTAWAY Venetian BODY Grand Auditorium NUT WIDTH 45mm) TOP Solid Blackwood BACK & SIDES Solid Blackwood NECK Mahogany BINDING Black FRETBOARD Ovangkol FRETS 20 SCALE 643mm INLAY White Dot TUNERS Die-Cast w/ Black Knobs ROSETTE ABS Black BRIDGE Ovangkol PICKUPS Fishman® Sonicore ELECTRONICS Fishman® Sonitone STRINGS D'Addario® EXP16 Light BRACING Hand Scalloped X-Bracing SPECIAL Genuine Bone Nut & Saddle ADDITIONAL Deluxe Soft-Side Case Included

Cort Earth 100SSF SB As Cort’s homage to the great vintage acoustic guitars, the Earth Series represents the look, sound, feel and playability of those fine instruments with uncompromising quality and excellent value. Ideal for both flatpicking and fingerstyle players, the Earth70 CONSTRUCTION:Dovetail Neck Joint BODY:Dreadnought Body NUT WIDTH:43mm (1 11/16") TOP:Solid Spruce Top BACK & SIDES:African Mahogany(Okoume) NECK:Mahogany(Palaquium) BINDING:Ivory body binding FRETBOARD:Ovangkol FRETS:20 Frets SCALE:643mm (25.3") INLAY:White dot inlay ROSETTE:Multiple Rosette BRIDGE:Ovangkol STRINGS:D'Addario EXP16 Strings BRACING:Advanced Scalloped X-Bracing

The MR Series represents Cort’s mission to provide the highest quality traditional instruments with superb workmanship and modern features at an unbeatable value. MR500E is a solid spruce top, mahogany back and sides, Ovangkol fingerboard. The classic dreadnaught body has a Venetian cutaway for easy high fret access and is equipped with Cort CE304T electronics to deliver the MR’s natural acoustic sound to an amplification system for both live and recording applications. - Finish: Natural Gloss Top - CONSTRUCTION: Dovetail Neck Joint CUTAWAY: Venetian Cutaway BODY: Dreadnought Cutaway Body NUT WIDTH: 43mm (1 11/16") TOP: Solid Spruce Top BACK & SIDES: African Mahogany(Okoume) NECK: Mahogany(Palaquium) FRETBOARD: Ovangkol FRETS: 20 Frets SCALE: 643mm (25.3") INLAY: Dot Inlay ROSETTE: Acryl Pearl Top Purfling & Rosette BRIDGE: Ovangkol PICKUPS: Ceramic Pickup ELECTRONICS: Cort CE304T Preamp STRINGS: D'Addario EXP16 Strings BRACING: Advanced Scalloped X-Bracing

The MR Series represents Cort’s mission to provide the highest quality traditional instruments with superb workmanship and modern features at an unbeatable value. MR710F is a solid sitka spruce top, mahogany back and sides, Ovangkol fingerboard. The classic dreadnaught body has a Venetian cutaway for easy high fret access and is equipped with Fishman Presys electronics to deliver the MR’s natural acoustic sound to an amplification system for both live and recording applications. Finish: Black CONSTRUCTION Dovetail Neck Joint CUTAWAY Venetian Cutaway BODY Dreadnought Cutaway Body NUT WIDTH 43mm (1 11/16") TOP Solid Sitka Spruce Top BACK & SIDES African Mahogany(Okoume) NECK Mahogany(Palaquium) FRETBOARD Ovangkol FRETS 20 Frets SCALE 643mm (25.3") INLAY Dot Inlay ROSETTE Multiple Abalone Rosette BRIDGE Ovangkol PICKUPS Fishman Sonicore Pickup ELECTRONICS Fishman Presys Preamp STRINGS D'Addario EXP16 Strings BRACING Advanced Scalloped X-Bracing SPECIAL Genuine Bone Nut & Saddle Sonically Enhanced UV Finish ADDITIONAL Left handed, 12 strings available

Isomax Headset. Med åpen ende for AKG/Sennheiser sendersystem. Nyre. Beige - Profesjonell elektretmikrofon for fantommating (6-50V). Smidig justerbar innstilling som hviler på ørene og går rundt hodet under håret. Vindhette følger med. 1,5 m kabellengde. ISOMAX Headset Mic remains the favorite of countless high-profile performing artists. It's sleek, comfortable, and stays securely in place, even during dance-oriented performances. It zeroes in on its source, capturing warmth in a wide frequency range. It rejects unwanted sounds and monitor feedback even better than most handhelds. And it tolerates sweat, weather, and makeup better than any other headset. Best of all, it's affordable and durable, providing a long life of excellent sound. -Suitable especially for AKG/Sennheiser -Cardioid pattern -Pigtail “no connector” -Beige -Frequency Response: 20 Hz to 20 kHz -Power Requirements: 15V at the microphone under load. 4mA total current drain. -Sensitivity: 1.4 mV/Pascal -Overload Sound Level: 150 dB SPL at 1% THD (48V Phantom model) -Output Impedance: 600 Ohms balanced (48V Phantom model) -Cable Length: 5 Feet

lever switch 5-way, vintage USA, bolts included, no cap 1 5/8" bolt spacing, made in USA

250K audio potentiometer, short length bushing .250", 3/8" diameter Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistence value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume an audio or logarithmic pot will work best for volume applications. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8" or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375" for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250" short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750". CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.

250K audio potentiometer, standard length bushing .375", 3/8" diameter Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistence value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume an audio or logarithmic pot will work best for volume applications. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8" or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375" for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250" short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750". CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.

Potentiometer 500k av hög kvalitet. CTS är och har sedan 50-talet varit fabriksstandard för de flesta stora amerikanska märken såsom Fender och Gibson. – standard length bushing .375? – 3/8? diameter Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistence value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume an audio or logarithmic pot will work best for volume applications. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8? or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375? for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250? short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750?. CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.

500K linear potentiometer, standard length bushing .375", 3/8" diameter Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistence value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume an audio or logarithmic pot will work best for volume applications. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8" or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375" for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250" short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750". CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.

Potentiometer 250k linjär av hög kvalitet. CTS är och har sedan 50-talet varit fabriksstandard för de flesta stora amerikanska märken såsom Fender och Gibson. – standard length bushing .375? – 3/8? diameter Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistence value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume an audio or logarithmic pot will work best for volume applications. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8? or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375? for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250? short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750?. CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.

250K linear potentiometer, short bushing .250", 3/8" diam., USA style dished back, pickguard mount Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistence value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume an audio or logarithmic pot will work best for volume applications. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8" or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375" for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250" short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750". CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.

Bildet viser splitshaft ikke solid shaft. -------- potentiometer, standard .375" bushing, 3/8" diam. 500K vintage taper CTS 500k Ohm vintage audio taper (30% Log) potentiometer. Dished back, solid shaft, standard 9.5mm length bushing. Check the actual bushing length required! Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistance value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume, an audio (aka. logarithmic) pot will work best for volume applications. A third option available is ‘vintage audio taper’. These pots are 30% logarithmic: with the pot halfway open, the audio response/output is at 30%. Audio/log pots have an output of 10% in the same setting, linear pots are at 50% output. So, their taper is roughly halfway in between audio/log and linear taper pots. They are very similar to the original spec for vintage Stratocaster® guitar pots and can be used for both tone and volume controls. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8" or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375" for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250" short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750". CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.

Top quality CTS control pots with a switch on the back. Add a switch to your guitar wiring without drilling a new hole. - The built-in single-pole single-throw switch is electrically separate from the control pot. You might use this switch to coil-cut a humbucker, or use it as a dedicated on/off switch for a pickup.

25LBNJ00-DX - Leather Banjo Strap - Black. Høykvalitets banjoreim fra D'Addario. • Bredde 64mm. • Gir maksimal komfort i stående situasjoner.

50BTL12 - Beatles 1964 Tour Arrows. En hyllning till 60-års jubilerandet av sändningen, av Beatles första live framträdande i Ed Sullivans show 1964. • 1964 Tour Arrows design. • 50 mm bred av polyester. • Vegan vänliga läderändar. • En perfekt present till en Beatles fantast • Samla på alla axelband i D'Addarios Beatles kollektion

50BTL14 - Beatles 1964 Tickets Color. En hyllning till 60-års jubilerandet av sändningen, av Beatles första live framträdande i Ed Sullivans show 1964. • 1964 Tickets Color. • 50 mm bred av polyester. • Vegan vänliga läderändar. • En perfekt present till en Beatles fantast. • Samla på alla axelband i D'Addarios Beatles kollektion.

50PLA04 - Planet Lock - Barbed Wire. D'Addarios patenterte Planet Lock System er en sikker og rask lås som minimerer risikoen for at instrumentet ditt faller av under avspilling, samtidig som det blir enklere og mer behagelig å ta av og på sgitarreimen. D'Addario Woven Straps er designet for utøvere i alle sjangre, og med forskjellige mønstre som tilfredsstiller selv den mest kresne gitarist. • Det patenterte Planet Lock-systemet passer omtrent hvilken som helst gitar, og eliminerer behovet for å endre endeknotten. • Vevd av mykt og behagelig materiale. • Justerbar lengde fra 89cm til 151cm. • Lager ikke riper i gitaren din.

50PLA05 - Planet Lock - Black Tubular. D'Addarios patenterte Planet Lock System er en sikker og rask lås som minimerer risikoen for at instrumentet ditt faller av under avspilling, samtidig som det blir enklere og mer behagelig å ta av og på sgitarreimen. D'Addario Woven Straps er designet for utøvere i alle sjangre, og med forskjellige mønstre som tilfredsstiller selv den mest kresne gitarist. • Det patenterte Planet Lock-systemet passer omtrent hvilken som helst gitar, og eliminerer behovet for å endre endeknotten. • Vevd av mykt og behagelig materiale. • Justerbar lengde fra 89cm til 151cm. • Lager ikke riper i gitaren din.

50PLA07 - Planet Lock - Celtic. D'Addarios patenterte Planet Lock System er en sikker og rask lås som minimerer risikoen for at instrumentet ditt faller av under avspilling, samtidig som det blir enklere og mer behagelig å ta av og på sgitarreimen. D'Addario Woven Straps er designet for utøvere i alle sjangre, og med forskjellige mønstre som tilfredsstiller selv den mest kresne gitarist. • Det patenterte Planet Lock-systemet passer omtrent hvilken som helst gitar, og eliminerer behovet for å endre endeknotten. • Vevd av mykt og behagelig materiale. • Justerbar lengde fra 89cm til 151cm. • Lager ikke riper i gitaren din.

ECB81-5SL Light//Super Long Scale 045 065 080 100 132. Chromes strengene har en nikkelbelagt spinning på en hexagonal kjerne. Etter spinningsprosessen poleres hver streng i 3 steg for å få sin glatte og jevne overflate. Det gir en myk tone som er godt likt av jazzmusikere. Perfekt for Fretless basser. Settet består av: • CB045SL G. • CB065SL D. • CB080SL A. • CB100SL E. • CB132SL B. Hvilken lengde (Scale) på strenger skal jeg velge? De fleste el.basser har Long Scale, men selvfølgelig finnes det unntak. Mål på bassiden når strengen er i pitch, avstanden fra kulens innside og til oversadelen. • Short Scale: Opp til 32 . • Medium Scale: 32 opp til 34 . • Long Scale; 34 upp til 36 . • Super Long: 36 opp til 38 .

ECB81, D'Addario's bestselgende Flatwound bass strenger, er kjent for sin varme, runde tone og glatt polerte spille følelse. Chromes levere en dyp, fyldig lav bunn noe som gjør dem til flatspunnede strenger's valg for Jazz, R & B og Pop musikere. Passer lang skala basser med en streng skala lengde på opptil 92cm(36 1/4"). D'Addario Chromes Bass strenger er viklet med flat rustfritt stål bånd wire som er polert til en utrolig glatt overflate. Leverer en særegen dempet, men klangfull tone som bare flatwounds kan produsere, D'Addario Chromes er verdens mest populære flatwound strenger. --- ECB81 Light/Long Scale 045 065 080 100. Chromes strengene har en nikkelbelagt spinning på en hexagonal kjerne. Etter spinningsprosessen poleres hver streng i 3 steg for å få sin glatte og jevne overflate. Det gir en myk tone som er godt likt av jazzmusikere. Perfekt for Fretless basser. Settet består av: • CB045 G. • CB065 D. • CB080 A. • CB100 E. Hvilken lengde (Scale) på strenger skal jeg velge? De fleste el.basser har Long Scale, men selvfølgelig finnes det unntak. Mål på bassiden når strengen er i pitch, avstanden fra kulens innside og til oversadelen. • Short Scale: Opp til 32 . • Medium Scale: 32 opp til 34 . • Long Scale; 34 upp til 36 . • Super Long: 36 opp til 38 . - D'Addario's bestselgende flatwound bass gitar set - Ribbon wound og polert for ultra-glatt følelse og varm og myk tone - Passer lang skala basser med en strenge skala lengde på opptil 92cm(36 1/4") - Made in USA for høyeste kvalitet og ytelse - Strenge tykkelse: .045, .065, .080, .100 - Miljøvennlig, korrosjonsbestandig emballasje for strenger som alltid er ferske

D'Addario HALF ROUNDS strengesett el.gitar - EHR310. Regular Light. Half Round strengene har en spinning helt av rustfritt stål. Overflaten er polert, men ikke helt, noe som gjør at tonen har nesten samme karakter som en uslipt streng. Den jevne overflaten gir den en fordel i innspillingssammenheng hvor man gjerne vil unngå slidelyden fra fingrer som glir over strengen. • D'Addario Round Wound leverer round wound tension med flat wound feel. Eksklusiv semi-flat overflate. • Miljøvennlig og korrosjonsmotstandsdyktig forpakning holder strengene ferske. • Produsert av D'Addario i New York, USA for beste kvalitet. • Strengetykkelser: Plain Steel .010, .013, .017, .Nickel Wound .026, .036, .046.

D'Addario HALF ROUNDS strengesett el.gitar - EHR350. Jazz Light. Spunnet 3. streng. Half Round strengene har en spinning helt av rustfritt stål. Overflaten er polert, men ikke helt, noe som gjør at tonen har nesten samme karakter som en uslipt streng. Den jevne overflaten gir den en fordel i innspillingssammenheng hvor man gjerne vil unngå slidelyden fra fingrer som glir over strengen. • D'Addario Round Wound leverer round wound tension med flat wound feel. Eksklusiv semi-flat overflate. • Miljøvennlig og korrosjonsmotstandsdyktig forpakning holder strengene ferske. • Produsert av D'Addario i New York, USA for beste kvalitet. • Strengetykkelser: Plain Steel .012, .016, Nickel Wound .024, .032, .042, .052.

D'Addario HALF ROUNDS strengesett el.gitar - EHR370. Medium. Half Round strengene har en spinning helt av rustfritt stål. Overflaten er polert, men ikke helt, noe som gjør at tonen har nesten samme karakter som en uslipt streng. Den jevne overflaten gir den en fordel i innspillingssammenheng hvor man gjerne vil unngå slidelyden fra fingrer som glir over strengen. • D'Addario Round Wound leverer round wound tension med flat wound feel. Eksklusiv semi-flat overflate. • Miljøvennlig og korrosjonsmotstandsdyktig forpakning holder strengene ferske. • Produsert av D'Addario i New York, USA for beste kvalitet. • Strengetykkelser: Plain Steel .011, .014, .018, Nickel Wound .028, .038, .049.

EJ15 Extra Light. 1974 var året da D'Addario var først med å prøve materialet Phosphor Bronze i sin produksjon av akustiske strenger. Suksessen var et faktum og Phosphor Bronze strenger har blitt synonymt med en stor tone og lang holdbarhet. Foretrekkes av de fleste musikere både live og i studio. Model Note Inch PL010 E .010 PL014 B .014 PB023 G .023 PB030 D .030 PB039 A .039 PB047 E .047

EJ16 Light. 1974 var året da D'Addario var først med å prøve materialet Phosphor Bronze i sin produksjon av akustiske strenger. Suksessen var et faktum og Phosphor Bronze strenger har blitt synonymt med en stor tone og lang holdbarhet. Foretrekkes av de fleste musikere både live og i studio. Model Note Inch PL012 E .012 PL016 B .016 PB024 G .024 PB032 D .032 PB042 A .042 PB053 E .053

EJ23 Super Light Phosphor Bronze. 1974 var året D'Addario var först med att prova materialet Phosphor Bronze i sin akustiska strängtillverkning. Succen var ett faktum och Phosphor Bronze strängar har blivit synonymt med en stor ton och lång livslängd. Väljs av de flesta musiker för både live och studio. Model Note Inch PL009 E .009 PL012 B .012 PL015 G .015 PB025 D .025 PB035 A .035 PB045 E .045

3-pack med EJ26 Custom Light 011 015 022w 032w 042w 052w. 1974 var året D’Addario var först med att prova materialet Phosphor Bronze i sin akustiska strängtillverkning. Succen var ett faktum och Phosphor Bronze strängar har blivit synonymt med en stor ton och lång livslängd. Väljs av de flesta musiker för både live och studio.

EJ26 Custom Light. 1974 var året da D'Addario var først med å prøve materialet Phosphor Bronze i sin produksjon av akustiske strenger. Suksessen var et faktum og Phosphor Bronze strenger har blitt synonymt med en stor tone og lang holdbarhet. Foretrekkes av de fleste musikere både live og i studio. Model Note Inch PL011 E .011 PL015 B .015 PB022 G .022 PB032 D .032 PB042 A .042 PB052 E .052

EJ38 Phosphor Bronze 12-str. Light Tykkelse 1-12: 010/010, 014/014, 023w/008, 030w/012, 039w(018, 047w/027w. 1974 var året da D'Addario var først med å prøve materialet Phosphor Bronze i sin produksjon av akustiske strenger. Suksessen var et faktum og Phosphor Bronze strenger har blitt synonymt med en stor tone og lang holdbarhet. Foretrekkes av de fleste musikere både live og i studio.

EJ45, Normal Tension. Pro Arté er D'Addarios mestselgende streng for klassisk gitar.Godt likt for sin perfekte balanse mellom tone, spillefølelse og dynamikk. Flere års lang utvikling førte fram til Pro Arte serien der hver strengs diameter ble kontrollert 200 ganger ved hjelp av et sofistikert databasert lasersystem. Denne ekstremt nøye kvalitetskontrollen garanterer en absolutt høy og jevn standard på strengene, fra sett til sett. Basstrengene er presisjonsspunnet med en sølvbelagt kobbertråd over en nylonkjerne, som gir strengen dens varme og tydelige tone. I følge mange konsertgitaristre det beste strengesetttet som noen gang har blitt skapt, og det anbefales varmt av de fleste gitarlærere. • D'Addarios mest populære streng for klassisk gitar. • Laserkontroll garanterer absolutt jevn kvalitet. • Presisjonsspunnede basstrenger for varm og tydelig tone. • Normal Tension. • Strengetykkelser: Trebles .0280, .0322, .0403 Basses .029, .35, .043. • Made in USA. - D'Addario's bestselgende Pro Arte sett, Normal tension tilbyr balanse i volum og behagelig motstand - Laser sortert klare nylon diskant strenger for konsekvent og presis intonasjon - Presisjons spunnede bass strenger for varm, prosjektering av tone og den ytterste jevnhet - Made in USA for høyeste kvalitet og ytelse - Strenge tykkelse: Diskant .0280, .0322, .0403 Bass .029, .035, .043 - Miljøvennlig, korrosjonsbestandig emballasje for strenger som alltid er ferske

EJ46FF, hard tension. Pro-Arté Carbon Classical er en kombinasjon av D'Addarios presisjonsproduserte Pro-Arté Carbon diskantstrenger og deres kraftfulle Dynacore basstrenger. Det gir et sett med overlegen intonasjon og en krystallklar projeksjon. For deg som strever etter perfeksjon og vil ha kontroll over hvert element i din musisering! • Overlegen intonasjon med responsiv attack og et moderne uttrykk i tonen. • Kombinert med D'Addarios Dynacore composite core basstrenger for en djerv, kraftfull og rund tone. • Hard Tension. • Strengetykkelser: Trebles .0248, .028, .0339 Basses .029, .036, .046.

EJ46, Hard Tension, er et populært valg av klassiske sett som foretrekkes for sin balanse mellom fyldig tone, noe hardere spilleart, behagelig følelse og dynamisk projeksjon. Pro-Arte, verdens mest populære klassiske strenger er D'Addario's premium klassiske gitarstrenge sett. Alle Pro-Arte diskant strenger er sortert av en sofistikert datastyrt laser maskin som utfører diameter og spenning målinger, sikrer riktig tone, presise diskant strenger i hvert sett. Pro-Arte bass strenger er viklet med sølvbelagt kobbertråd på en multi-filament nylon kjerne for konsekvent og varm, men prosjektering tone. - D'Addario's bestselgende Pro Arte sett, Hard tension tilbyr balanse i volum og noe kraftigere men behagelig motstand - Laser sortert klare nylon diskant strenger for konsekvent og presis intonasjon - Presisjons spunnede bass strenger for varm, prosjektering av tone og den ytterste jevnhet - Made in USA for høyeste kvalitet og ytelse - Strenge tykkelse: Diskant .0285, .0327, .0410 Bass .030, .036, .044 - Miljøvennlig, korrosjonsbestandig emballasje for strenger som alltid er ferske

D'Addario's tyngste 5-strengs banjosett, leverer maks. volum og holdbarhet for heavy picking. • Nikkelbelagt stål for klar tone, glatt følelse og lang levetid. • Miljøvennlig, korrosjonsmotstandsdyktig innpakking holder strengene ferske. Settet består av: • LE011 D. • LE012 B. • LE013 G. • LE022w D. • LE011 G.

Banjo strenger, Normal gauge. 010, 012, 016, 023w, 010 J61 D'Addario's mest populære 5-strengs banjo sett gir deg den perfekte balansen av å spilleart og lys, kraftig tone. Loopend konstruksjon for universell bruk. D'Addario banjo strengene blir anbefaltt av legender som Ralph Stanley, Rob McCoury, Ron Block, Alison Brown, og flere, for deres autentiske tone og pålitelig ytelse.

EJ62 light gauge mandolin strings are wound with 80/20 Bronze for a crisp, bright tone on all 4 wound strings; perfect for recording. 80/20 Bronze mandolin strings Loopend construction for universal fit Bright, crisp tone Made in the U.S.A. for the highest quality and performance String Gauges: .010/.010, .014/.014, .024/.024, .034/.034 80/20 Bronze, commonly referred to as brass, is the original string alloy selected by John D'Addario Sr. and John D'Angelico in the 1930s. 80/20 Bronze strings are popular for recording due to their crisp, deep and projecting tone and appeal to many traditionalists and vintage enthusiasts for their historical significance. All D'Addario mandolin strings are wound on a hexagonally shaped, high carbon steel core, resulting in long lasting, bright sounding tone with excellent intonation.

EJ67 Medium Mandolin. D'Addario EJ67 Mandolin strings er perfekt for elektrisk eller akustisk Mandolin spill. J67 Mandolin strengene er spunnet med nikkelbelagt stål, kjent for sin karakteristiske klare tone og utmerkede projeksjon. • Nikkelbelagt stål for karakteristisk klar tone. • Løkke-ende konstruksjon passer de fleste Mandoliner. • Miljøvennlig, korrosjonsmotstandsdyktig innpakking holder strengene ferske. Settet består av: • J6701 E 011. • J6701 E 011. • J6702 A 014. • J6702 A 014. • J6703 D 025. • J6703 D 025. • J6704 G 039. • J6704 G 039.

EJ87B Baritone Ukulele, Titanium. D'Addario EJ87B settene er konstruert for å passe alle Baritone Ukuleler. Hver streng i dette settet er laget av vårt lystklingende titaniumsmateriale. • Optimalisert for Baritone Ukuleler. • Titaniumsmateriale for klarhet og projeksjon. • Silver Plated Copper .030W, .035W • Foretrukket for sin moderne, projiserende tone. • Miljøvennlig, korrosjonsresistent forpakkning garanterer ferske strenger. Settet består av: • E 028. • B 033. • G 033w. • D 035w

EJ95A. Strängset Oud/11-str. Arabic, Medium tension. J95A are designed specifically for the Arabic Oud, tuned CFADGC, requiring a medium gauge for optimal resonance on these smaller, "bowl-shaped" bodies and unique "plectrum" picking styles. • Designed specifically for the Ouds. • Rectified clear nylon and silver-plated copper wound on nylon strings. • Warm and projecting, long lasting tone. • Medium gauge for optimal resonance on these smaller, "bowl-shaped" bodies and unique "plectrum" picking styles. Setet består av: • C 0.026. • C 0.026. • G 0.031. • G 0.031. • D 0.024. • D 0.024. • A 0.028. • A 0.028. • F 0.032. • F 0.032. • C 0.041.

ENR71 Regular Light/Long Scale 045 065 080 100. Half Round strengene har en spinning av rent nikkel, akkurat som ved introduksjonen på midten av 70-tallet. Med en lett polert overflate som minner om Chromes strengene, men med upolert overflate mot kjernen, som gir tonen samme karakter som en uslipt streng. Siden introduksjonen i 1976 har mange forsøkt å kopiere Half Round strengene, uten å ha lykkes spesiellt bra. Orginalen er fortsatt best. Settet består av: • NHR045 G. • NHR065 D. • NHR080 A. • NHR100 E. Hvilken lengde (Scale) på strenger skal jeg velge? De fleste el.basser har Long Scale, men selvfølgelig finnes det unntak. Mål på bassiden når strengen er i pitch, avstanden fra kulens innside og til oversadelen. • Short Scale: Opp til 32 . • Medium Scale: 32 opp til 34 . • Long Scale; 34 upp til 36 . • Super Long: 36 opp til 38 .

D'Addario's most popular acoustic bass set, EPBB170 provides a rich, deep and projecting tone. Designed specifically for use on all 4-String acoustic basses Preferred for its warm, bright, and well balanced acoustic tone Environmentally friendly, corrosion resistant packaging for strings that are always fresh Made in the U.S.A. for the highest quality and performance String Gauges: Phosphor Bronze Wound .045 .065, .080, .100 Phosphor Bronze was introduced to string making by D'Addario in 1974 and has become synonymous with warm, bright, and well balanced acoustic tone. D'Addario Phosphor Bronze strings are precision wound with corrosion resistant phosphor bronze onto a carefully drawn, hexagonally shaped, high carbon steel core. The result is long lasting, bright sounding tone with excellent intonation.

Stål kjærne, nikkelbelagt omspinning. De mest populære Basstrengene fra D`Addario. 045, 065, 080, 100. i dobbel ball end utgave.

D'Addario EXL115BT Balanced Tension electric guitar sets are comprised of mathematically optimized string gauge combinations, resulting in greater control and playing comfort. Combined with the distinctive bright tone of XL nickel wound strings, each set offers greater dynamic control and a more consistent feel between strings for evenly balanced bending, strumming, fretting, picking, and plucking. Balanced Tension sets allow for evenly balanced bending, strumming, fretting, picking, and plucking Round wound with nickelplated steel for distinctive bright tone Environmentally friendly, corrosion resistant packaging for strings that are always fresh Made in the U.S.A. for the highest quality and performance String Gauges: Plain Steel .011, .015, .019, Nickel Wound .028, .037, .050 XL Nickel Wound, D'Addario's most popular electric guitar strings, are precision wound with nickelplated steel onto a carefully drawn, hexagonally shaped, high carbon steel core. The result, strings with long lasting, distinctive bright tone and excellent intonation, is ideal for the widest variety of guitars and musical styles.

XL Nickel Wound, D'Addario's mest populære elektrisk gitar strenger, er presisjon spunnet med nickel-belagt stål på en nøye trukket, hexagonally formet, høy karbonstål kjerne. Resultatet er strenger med langvarig, særpreget diskant og god intonasjon, ideell for et stort utvalg av gitarer og musikalske stilarter.