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Vakker gold top med moon inlays i gripebrettet - Utviklet sammen med David Grissom --- PRS SE DGT David Grissom Gold Top: “I didn’t just rubber stamp this. This guitar is something I have been very involved in and am really proud of. The SE Series is lightyears ahead of anything I could get my hands on when I started playing - it’s amazing how far the quality has come – and I am proud to be able to offer this guitar to more people.” - David Grissom The PRS SE DGT (David Grissom Trem) brings David Grissom’s signature model to the SE Series for the first time. Based on the McCarty platform, the DGT model has been a constant favorite since its introduction in 2007, thanks to Grissom’s deep knowledge of vintage guitars and his painstaking attention to detail. Every feature on the SE DGT has been considered from the neck shape to the fret choice and dressing, from the colors to the pickups and electronics layout. The SE DGT features vintage-voiced humbuckers paired with individual volume controls for each pickup and a push/pull master tone control that taps the humbuckers for sweet, single-coil inspired sounds. This layout puts a lot of control and versatility on tap so you can focus on playing and not the guitar. Additional appointments include a maple top, mahogany back, 22-fret, 25” scale length mahogany neck with rosewood fretboard, and bird or moon inlays (inlays are color dependent). --- Gold Top Mahogany Body with Maple Top Shallow Violin Top Carve Mahogany Neck Rosewood Fretboard with Moon Inlays 22 Frets 25" Scale 10" Radius PRS Patended Tremolo, Molded PRS Designed Tuners DGT "S" Humbuckers Volume Controls For Each Pickup Tone Control with Push-Pull Function for Pickup Split 3-Way Pickup Switch Gig Bag Included

handmade dreadnought guitar, solid spruce & mahogany, Isys+, cutaway, gloss finish, sunburst Richwood Master Series are all handmade acoustic guitars, made of premium selected tonewoods, professionally set-up before packing. Our D-40 guitar is built from the same wood combination as the D-20. The appointments are a bit more luxurious and the sound however is tighter and more focussed due to the gloss lacquer. The effect of satin of gloss lacquer is very clear in this comparison. Where the D-20 is light sounding, the D-40 has more focus and has a high register that has more body. The traditional dreadnought shape is perfect for strumming or any flatpicking techniques. The big body can be driven perfectly with a pick. The sound will have a lot of low-end that carries well. Of course you can play fingerstyle on a dreadnought, but if you play fingerstyle solely, we recommend our A or P models. The solid sitka spruce top and the mahogany sides and back sound lively and light with a more focussed sound than our D-20 guitar. The D-40-CESB has a cutaway to allow for easier access to the higher frets. The installed Fishman Isys+ pickup system will amplify your acoustic sound very naturally. A perfect fit! Try a D-40-CESB and we’re sure you have found a partner for years to come. The technical and aesthetical advanced features include bone fittings, a double action trussrod, voluted headstock joint, cotton capped X-braces, mahogany back braces, high grade Derjung machine heads, USA D'Addario EXP16 coated phosphor bronze strings. specs body shape : dreadnought cutaway bracing design : X scalloped, with mahogany back braces scale length: 650 mm nut width : 43,6 mm body length : 500 mm lower bout width: 405 mm body thickness : 96/120 mm top material: solid A grade Sitka spruce back & side material : laminated mahogany neck material : Indonesian mahogany fingerboard material : Indian rosewood fingerboard binding material : Indian rosewood fingerboard radius : 14" bridge material : Indian rosewood top color : sunburst body finishing : glossy neck finish : satin rosette : 3 rings black & ivory top purfling : 3-ply side binding : black back binding : black trussrod : active two-way top position dots : 7 mm + 5 mm white pearl shell side position dots : 2 mm white pearl shell frets : 2.4*1.1 mm 18% nickel silver nut & saddle material : genuine bone machine heads : Derjung Deluxe chrome strings : D'Addario EXP-16 bridge pins : black color, white core pickguard : imported 129 black D strap button : chrome electronics : Fishmann Isys+ extra : additional genuine bone saddle and 1 x saddle underlayment

handmade auditorium OOO guitar, solid mahogany & mahogany, satin finish Richwood Master Series are all handmade acoustic guitars, made of premium selected tonewoods, professionally set-up before packing. The A-50 has solid mahogany top and mahogany sides and back. Inspired by guitars from the 1930’s, this guitar has a very warm sound that is very lively. Our Auditorium model is elegantly shaped, yet the body is deeper and thus delivers a warmer tone that suits not only the fingerstyle player perfectly, but still pleases the flatpicker perfectly. The smaller surface size of the top makes it easier to put into motion, it responds quicker than a bigger surface top. The satin finish is perfect for this guitar, it adds to the natural mahogany look. The technical and aesthetical advanced features include bone fittings, a double action trussrod, voluted headstock joint, cotton capped X-braces, mahogany back braces, high grade Derjung machine heads, USA D'Addario EXP16 coated phosphor bronze strings and Fishman electronics. Specs: body shape: auditorium OOO bracing design: X scalloped, with mahogany back braces scale length: 650 mm nut width: 43,6 mm body length: 488 mm lower bout width: 382 mm body thickness: 83/100 mm top material: solid mahogany back & side material: laminated mahogany neck material: Indonesian mahogany fingerboard material: Indian rosewood fingerboard binding material: Indian rosewood fingerboard radius: 14" bridge material: Indian rosewood top colour: mahogany body finishing: satin open pore neck finish: satin rosette: herringbone ring top purfling: no side binding: no back binding: no trussrod: active two-way top position dots: 7mm + 5mm white pearl shell side position dots: 2mm white pearl shell frets: 2.4*1.1mm 18% nickel silver nut & saddle material: bone 43*6mm and 72*3mm machine head: Derjung Deluxe chrome strings: D'Addario EXP-16 bridge pins: black colour, white core pickguard: 114 tortoise A strap button: chrome extra : additional genuine bone saddle and 1 x saddle underlayment

handmade dreadnought guitar, solid spruce & mahogany, satin finish Richwood Master Series are all handmade acoustic guitars, made of premium selected tonewoods, professionally set-up before packing. Our D-20 model is built to the same high standards we apply to all our instruments. The result is a great sounding and very stable guitar that has its strong points in the strumming playing style. As any dreadnought shaped guitar, the mid frequencies are very present, giving the D-20 a full sound and long sustain. Of course you can play any style on this instrument, but it really shines on strumming techniques. The thinly applied satin finish, the solid sitka spruce top and mahogany sides result in a light and lively sounding instrument that will accompany you for many years to come. The technical and aesthetical advanced features include bone fittings, a double action trussrod, voluted headstock joint, cotton capped X-braces, mahogany back braces, high grade Derjung machine heads, USA D'Addario EXP16 coated phosphor bronze strings. One of our specialties in guitar building are the extreme measures we take into drying the wood before we start building your instrument. Richwood Master Series stand out in tone, playability an stability. Try one today! specs body shape: dreadnought bracing design: X scalloped, with mahogany back braces scale length: 650 mm neck width : 43,6 mm body length: 500 mm lower bout width: 405 mm body thickness: 96/120 mm top material: solid A grade Sitka spruce back & side material: laminated mahogany neck material: Indonesian mahogany fingerboard material: Indian rosewood fingerboard binding material: Indian rosewood fingerboard radius: 14' bridge material: Indian rosewood top color: natural body finishing: satin open pore neck finish: satin rosette: heringbone ring top purfling: no side binding: black back binding: black trussrod: active two-way top position dots: 7 mm + 5 mm white pearl shell side position dots: 2 mm white pearl shell frets: 2.4*1.1 mm 18% nickel silver nut & saddle material : enuine boneg machine head: Derjung Deluxe chrome strings: D'Addario EXP-16 bridge pins: black color, white core pickguard: imported 114 tortoise D strap button : chrome extra : additional genuine bone saddle and 1 x saddle underlayment

handmade dreadnought guitar, solid spruce & rosewood, vintage aged finish Richwood Master Series are all handmade acoustic guitars, made of premium selected tonewoods, professionally set-up before packing. The D-65VA has solid sitka spruce top and rosewood sides and back. Sonorous and bold, loud and clear, great playability and a classic look. The vintage aged top and herringbone purfling hark back to the first versions of this classic model giving this model a very distinct look. The rosewood back and sides are what makes this guitar so sonorous and clear sounding. The volume is higher than with its mahogany counterpart, the D-40. The low end is much bolder, the high frequencies are thicker and clearer with a lot of body. A dreadnought it typically played in strumming style, the big top has a slower attack time than the smaller bodies guitars, giving the dreadnought a full and round sound that is commonly loved by guitarists who use a pick. The technical and aesthetical advanced features include bone fittings, a double action trussrod, voluted headstock joint, cotton capped X-braces, mahogany back braces, high grade Derjung machine heads, USA D'Addario EXP16 coated phosphor bronze strings. Specs body shape: dreadnought bracing design: X scalloped, with mahogany back braces scale length: 650 mm nut width: 43,6 mm body length: 500 mm lower bout width: 405 mm body thickness: 96/120 mm top material: solid A grade Sitka spruce back & side material: laminated rosewood neck material: Indonesian mahogany fingerboard material: Indian rosewood fingerboard binding material: Indian rosewood fingerboard radius: 14" bridge material: Indian rosewood top colour: vintage aged body finishing: glossy neck finish: satin rosette: 3 rings model top purfling: herringbone side binding: ivory ABS back binding: ivory ABS back seam: zipper trussrod: active two-way top position dots: 7 mm + 5 mm white pearl shell side position dots: 2 mm white pearl shell frets: 2.4*1.1 mm 18% nickel silver nut & saddle material: bone 43*6 mm and 72*3 mm machine head: Derjung Deluxe chrome strings: D'Addario EXP-16 bridge pins: ivory color, black core pickguard: imported 129 tortoise D strap button: chrome extra : additional genuine bone saddle and 1 x saddle underlayment

handmade dreadnought guitar, solid spruce & rosewood, ebony fb, real abalone, vintage aged Richwood Master Series are all handmade acoustic guitars, made of premium selected tonewoods, professionally set-up before packing. Our D-70-VA model is a the top instrument of the Master Series. It features an AA solid sitka spruce top, Indian rosewood sides and back, ebony fingerboard and bridge and extensive real abalone inlays. Due to the wood choice, these instruments respond and project exceptionally well. Again an instrument that will positively amaze you when you pick it up. The dreadnought is commonly seen as a strumming instrument. The loud tone and the bold and sonorous low end really shine when played with a pick. The big body gives the D-70 a full sound with lots of detail and lots of dynamics. The technical and aesthetical advanced features include bone fittings, a double action trussrod, voluted headstock joint, cotton capped X-braces, mahogany back braces, high grade Derjung machine heads, USA D'Addario EXP16 coated phosphor bronze strings. Specs body shape: dreadnought bracing design: X scalloped, with mahogany back braces scale length: 650 mm nut width: 43,6 mm body length: 500 mm lower bout width: 405 mm body thickness: 96/120 mm top material: solid AA grade Sitka spruce back & side material: laminated rosewood neck material: Indonesian mahogany fingerboard material: ebony fingerboard binding material: ivoroid ABS fingerboard radius: 14" bridge material: ebony top colour: vintage aged body finishing: gloss neck finish: satin rosette: 3 rings model with real abalone top purfling: real abalone side binding: ivory ABS back binding: ivory ABS back seam: zipper trussrod: active two-way top position dots: real abalone hexagons side position dots: 2 mm black frets: 2.4*1.1 mm 18% nickel silver nut & saddle material: bone 43*6 mm and 72*3 mm machine head: Derjung Deluxe gold strings: D'Addario EXP-16 bridge pins: black colour, white core pickguard: imported 129 tortoise strap button: gold extra : additional genuine bone saddle and 1 x saddle underlayment

handmade grand auditorium guitar, solid spruce & mahogany, cutaway, Isys+, satin finish Richwood Master Series are all handmade acoustic guitars, made of premium selected tonewoods, professionally set-up before packing. Our most versatile guitar is the grand auditorium. This body shape offers a great all-round sound and the guitar can handle strumming as well as fingerstyle techniques equally well. The transparent midrange is very forgiving and will please any all-round player. The G-20-CE has a thinly applied satin finish which works very well with the solid sitka spruce top and the mahogany sides and back. The light tone is lively and is an inspiration to play. The technical and aesthetical advanced features include bone fittings, a double action trussrod, voluted headstock joint, cotton capped X-braces, mahogany back braces, high grade Derjung machine heads, USA D'Addario EXP16 coated phosphor bronze strings and Fishman electronics. specs: body shape : grand auditorium with cutaway bracing design : X- bracing, mahogany back braces scale length : 650 mm neck width : 43,6 mm body length : 505 mm lower bout width : 409 mm body thickness : 96/116 mm top material : solid A grade sitka spruce back & side material : laminated mahogany neck material : Indonesian mahogany fingerboard material : Indian rosewood fingerboard binding material : Indian rosewood fingerboard radius: 14" bridge material : Indian rosewood top color : natural body finishing : satin open pore neck finish : satin rosette : herringbone top purfling : no side binding : black ABS back binding : black ABS trussrod : active two-way top position dots : 7 mm + 5 mm white pearl shell side position dots : 2 mm white pearl shell frets : 2.4*1.1 mm, 18% nickel silver nut & saddle material : genuine bone machine head : Derjung Deluxe chrome strings : D'Addario EXP-16 bridge pins : black plastic pickguard : tortoise plastic strap button : chrome electronics : Fishman Isys+ extra : additional genuine bone saddle and 1 x saddle underlayment

handmade grand auditorium guitar, solid spruce & rosewood, vintage aged finish, Fishman Presys+ Richwood Master Series are all handmade acoustic guitars, made of premium selected tonewoods, professionally set-up before packing. The G-65-CEVA has solid sitka spruce top and rosewood sides and back. Sonorous and bold, loud and clear, great playability and a classic look. The vintage aged top and the herringbone purfling give this guitar a classy, vintage look in a modern guitar. Our most versatile guitar is the grand auditorium. This body shape offers a great all-round sound and the guitar can handle strumming as well as fingerstyle techniques. The sound is impressive and if this wouldn’t win you over, the playability will. All Richwood Master Series guitars are professionally set up before shipping. The sound has a transparent midrange that is very forgiving and will please any all-round player. The pleasing aesthetics, combined with the great sound, make this shape the most popular shape in the Master Series range. The rosewood sides and back are responsible for the sonorous and bold low end, the high frequencies are thicker and clearer. The general volume is higher and the details in sound are more audible than with a mahogany guitar. One is not better than the other. It is different. The installed Fishman Presys+ pickup system features an extended equalisation to finetune your natural amplified sound on stage. The technical and aesthetical advanced features include bone fittings, a double action trussrod, voluted headstock joint, cotton capped X-braces, mahogany back braces, high grade Derjung machine heads, USA D'Addario EXP16 coated phosphor bronze strings and Fishman electronics. Specs body shape: grand auditorium cutaway bracing design: X scalloped, with mahogany back braces scale length: 650 mm nut width: 43,6 mm body length: 505 mm lower bout width: 409 mm body thickness: 96/116 mm top material: solid A grade Sitka spruce back & side material: laminated rosewood neck material: Indonesian mahogany fingerboard material: Indian rosewood fingerboard binding material: Indian rosewood fingerboard radius: 14" bridge material: Indian rosewood top colour: vintage aged body finishing: gloss neck finish: satin rosette: 3 rings model top purfling: herringbone side binding: ivory ABS back binding: ivory ABS back seam: zipper trussrod: active two-way top position dots: 7 mm + 5 mm white pearl shell side position dots: 2 mm white pearl shell frets: 2.4*1.1 mm 18% nickel silver nut & saddle material: genuine bone 43*6 mm and 72*3 mm machine head: Derjung Deluxe chrome strings: D'Addario EXP-16 bridge pins: ivory colour, black core pickguard: imported 129 tortoise G strap button: chrome electronics: Fishman Presys+ extra : additional genuine bone saddle and 1 x saddle underlayment

handmade parlor guitar, solid spruce & rosewood, vintage aged finish Richwood Master Series are all handmade acoustic guitars, made of premium selected tonewoods, professionally set-up before packing. The parlor model is modelled after the famous model from the turn of the century, yet fits perfectly in modern music. The very focussed tone and direct response are coupled with the very comfortable body size. The result is a guitar that will keep you inspired. The solid sitka top and rosewood sides/back combination is classic and results in a loud and detailed, clear sound with a lout of punch. The very focussed tone and direct response are coupled with the very comfortable body size. The shorter scale length of 628 mm and the 12th fret neck/body joint make this P-65-VA extremely comfortable to play. The small body size and the somewhat wider nut of 46mm classify this as a perfect fingerstyle guitar. As all Richwood Master Series, this model displays an excellent playability with a very comfortable neck profile. Parlor guitars fit perfectly in cases or gigbags for classical guitars. Specs: body shape : 12 th fret parlor nut width: 46,4 mm neck width 12th fret: 57,3 mm scale length : 628mm body length : 493mm upper bout width: 242 mm waist width: 203 mm lower bout width : 352mm body thickness : 89/109mm top material : solid A grade Sitka spruce back & side material : laminated rosewood neck material : Indonesian mahogany fingerboard material : Indian rosewood fingerboard binding material : Indian rosewood fingerboard radius: 14" bridge material : Indian rosewood top color : vintage amber body finishing : glossy neck finish : satin rosette : black and white ABS rings top purfling : herringbone side binding : ivory back binding : ivory back zipper trussrod : active two-way top position dots : 7mm + 5mm white pearl shell side position dots : 2mm white pearl shell frets : 2.4*1.1mm, 18% nickel silver nut & saddle material : bone 46 mm and 72*1mm machine head : Derjung Deluxe chrome strings : D'Addario EXP-16 bridge pins : black with whitedot pickguard : no strap button : chrome extra : additional genuine bone saddle and 1 x saddle underlayment

A-style mandolin with spruce top, vintage sunburst RMA-60-VS The RMA-60-VS is the perfect companion for any beginner mandolin player. Even though the body is made of high quality laminated wood, it still has a loud and warm voice. The price point will positively astonish anyone who has heard and played this instrument. Specs scale length: 35 cm nut width: 31 mm nut material: bone top material : laminated spruce back & side material: laminated sapele neck material: Indonesian mahogany fingerboard material: technical wood bridge material: walnut top color: vintage sunburst body finishing: highgloss neck finish: highgloss rosette: f-holes binding: ivoroid trussrod: active two-way machine head: high-grade Korean open-geared tuners

folk banjo 5-string, mahogany rim, 24 brackets Richwood RMB-605 Richwood's first 5-string resonator banjo. An incredible value for money. All your bluegrass and folk influences can be channeled into this banjo. A very stable instrument with good tone. Specs top: Remo weatherking white 11” rim: laminated mahogany resonator: mahogany neck: mahogany fingerboard: technical wood bridge: maple with ebony cap tuners: high-grade Korean banjo style 4:1 ratio truss rod: two way adjustable scale length: 66,4 cm total instrument length: 96 cm top nut width: 30 mm nut material: bone binding: ivoroid finish: highgloss clear hardware: chrome plated tuning: GDGBD brackets: 24

handmade guitar "Songwriter M", solid spruce & mahogany, cutaway, Fishman Isys+ The Songwriter Series is developed to have a very focussed, voluminous and inspiring sound to accompany a singer songwriter as well as any other guitar player. In order to achieve this we applied the special lattice bracing. This bracing pattern is responsible for a well-defined tone with more punch and more volume than a guitar with a regular X-bracing. The sound character is very even, no overpowering basses, no harsh trebles, this is inspiration captured in a beautiful wooden box. To enhance these differences, we have new cosmetics with wooden bindings and bridge pins. A new rosette with abalone and wood and the absence of a pickguard. The SWG-110-CE has a solid Sitka spruce top and mahogany sides and back. The satin finish makes this a loud and open sounding instrument. As all Richwood Master Series, the Songwriter Series displays an excellent playability with a very comfortable neck profile. specs: body shape : grand auditorium with cutaway bracing design : special Richwood lattice bracing, mahogany back braces scale length : 650mm nut width : 43,5mm body length : 505mm lower bout width : 409mm body thickness : 96/116mm top material : solid A grade Sitka spruce back & side material : laminated mahogany neck material : Indonesian mahogany fingerboard material : Indian rosewood fingerboard binding material : Indian rosewood fingerboard radius: 14" bridge material : Indian rosewood top color : natural body finishing : satin open pore neck finish : satin rosette : mahogany and abalone rosette top purfling : no side binding : maple back binding : maple trussrod : active two-way top position dots : 7mm + 5mm white pearl shell side position dots : 2mm white pearl shell frets : 2.4*1.1mm, 18% nickel silver nut & saddle material : bone 43*6mm and 72*3mm machine head : Derjung Deluxe chrome strings : D'Addario EXP-16 bridge pins : Indian rosewood with abalone dots pickguard : no strap button : chrome electronics : Fishman Isys+

classic guitar, spruce top, sapele b&s, Savarez strings, satin finish The Salvador CS-244 is a great entry-level classical guitar with a high-quality (satin) finish and excellent playability. It has nickel frets, an adjustable truss rod and is made of durable spruce with sapele back and sides. All these features result in a great sounding guitar with a friendly price. specifications: top wood: spruce sides and back: sapele neck wood: sapele fingerboard: Indian laurel bridge: Indian laurel binding body front: black ABS binding body back: black ABS binding fingerboard: black ABS headstock veneer laurel finish body: satin open pore finish neck: satin open pore finish headstock: satin open pore nut: ABS saddle: ABS tuners: gold with lyre, black buttons strap button: no strings: Savarez new Cristal classic, hard tension scale length: 650 mm nut width: 52 mm 12th fret neck width: 62 mm upper bout: 278 mm waist: 235 mm lower bout: 361 mm body length: 480 mm body depth: 98 / 94 mm

- Gear ratio 1:16 - Weight 30 g/pc - Bore diameter 9,8mm - With hollow screw as thrust bearing - Tulip button

- Ultra-precision, wear-free premium machine head - Velvet-Tec™ und LX6-Lube™ for unparelleled precision which makes tuning easy - High-quality surface quality thanks to improved production process - Gear ratio 1:18 - Bore diameter 9,8 mm - Large metal button - Locking shaft (19,5 mm)

Strap Lock i Sort Krom

Strap Lock i Gull

Strap Lock i Nikkel

SCHALLER S-LOCKS S LOCKS SAFETY BELT -------------------- - New generation of Security Locks - Newly developed strap pins from toughest steel for best support, special thread that does not need adjustments, incl. washer - Lock with extended thread for straps up to 6 mm thick - Newly designed stainless steel bolts, maximum wear resistance and safety. - Dimensions of threaded part M - medium = 22 x 4 mm - Compatible with previous Schaller Security Locks - Delivery and price per pair - 2 single belt pins, includes felt, screw M=medium 4.0 mm x 22 mm (Standard)

Schecter PT Special Black Pearl 6-strängad elgitarr av klassisk modell, med single coil och P90 pickups. - Schecter har en omfattande familj av Retro-modeller, löst baserade på tidlösa klassiker, men uppdaterade med Schecters speciella byggkvalitet, spelbarhet, komfort, sound och känsla. Oavsett om du spelar Jazz, Blues, Rockabilly, Rock eller Hårdrock finns det riktigt coola gitarrer här som verkligen osar av attityd! _____ Information Färg: Black Pearl Stall/Strängar: Vintage Ashtray/6 Kropp/Topp: Swamp Ash Hals/Greppbräda: Maple/Rosewood Mensur/Band: 25.5" (648mm) Halsmikrofon: Schecter Diamond V-90 Stallmikrofon: Schecter Diamond VT-1 Konstruktion: Bolt-on Mekanik: Grover Vintage Halsform: C

SH 136 is a replacement battery door for the P4, P7 and LC-Series model preamps.

SHUBB C1 CAPO Stålstrengs Nikkel Steel String Guitar fits most acoustics and electrics Our standard C-series capos now have the design features formerly available only on our deluxe models! Intonation When we developed our capo, our main job was to minimize or eliminate the need for retuning. We accomplished this by designing 1. a unique material that acts just like your fingertip 2. a patented closing action that works exactly like your hand 3. a one-time adjustment that provides the ideal pressure every time. Dropoff The technical explanation Shubb Capos work on an "over-center" locking principle. If you've used one, you know the feeling. As you close the capo onto the neck, it passes through a point of greatest resistence (the center), then relaxes somewhat into its locked position. We've made up a name for the the difference between the amounts of pressure applied at these two points; we call it dropoff. More dropoff means a greater difference between pressure encountered as it passes through center, and the pressure applied in the locked position. Less dropoff means a lesser difference between pressure encountered as it passes through center, and the pressure applied in the locked position. Offhand you might imagine that the least amount of dropoff would be best, but that's not exactly the case. If you have too little dropoff, the lock is less secure and there is a risk of the capo opening accidentally. But if you have too much dropoff, too great a force is applied to the guitar neck while closing, and there could be too little pressure applied in the closed position for the truest tone. So you see, there is a JUST RIGHT amount of dropoff that makes for perfect capoing. Another benefit of dropoff. It is a well known fact that if a capo is too tight, it can stretch the strings out of tune. Most players understand that there is a "just right" amount of pressure for best capoing, too. The dropoff in the closing action of the Shubb capo serves as a built-in safeguard for those players who are not clear on this concept, and who might have a tendency to over-tighten a capo. In other words, it prevents the unwise user from putting his guitar out of tune by not allowing him to bring the capo to rest in its tightest possible position. While this feature of the Shubb capo is not especially obvious to most users, it does in fact contribute to the Shubb's excellent reputation for not causing tuning problems --- On the original Shubb capo, the dropoff increases at the smallest end of the capo's range, and decreases at its widest end. In other words, when used on an very thin guitar neck, the dropoff effect is exaggerated. In the extreme, it could result in insufficient pressure on the strings when engaged. On an unusually thick neck, the dropoff is minimal. In the extreme, it could result in an insecure lock, or too much pressure on the strings when engaged. Roller mechanism The roller mechanism equalizes the dropoff across the full range of the capo. Because the roller head adjusts upward on an arc (as opposed to a straight line) it moves inward toward the center curve of the middle piece of the capo as it is tightened - so it does not move further past center when it is set tighter. This maintains a relationship between the moving parts that results in the same, ideal amount of dropoff at any point within the capo's working range. So you get the ideal amount of dropoff on a thin neck, on a thick neck, and all those in between... and on different parts of the same neck.

SHUBB C2 CAPO Classical Nikkel Nylon String Guitar wide, flat fretboard Our standard C-series capos now have the design features formerly available only on our deluxe models! Intonation When we developed our capo, our main job was to minimize or eliminate the need for retuning. We accomplished this by designing 1. a unique material that acts just like your fingertip 2. a patented closing action that works exactly like your hand 3. a one-time adjustment that provides the ideal pressure every time. Dropoff The technical explanation Shubb Capos work on an "over-center" locking principle. If you've used one, you know the feeling. As you close the capo onto the neck, it passes through a point of greatest resistence (the center), then relaxes somewhat into its locked position. We've made up a name for the the difference between the amounts of pressure applied at these two points; we call it dropoff. More dropoff means a greater difference between pressure encountered as it passes through center, and the pressure applied in the locked position. Less dropoff means a lesser difference between pressure encountered as it passes through center, and the pressure applied in the locked position. Offhand you might imagine that the least amount of dropoff would be best, but that's not exactly the case. If you have too little dropoff, the lock is less secure and there is a risk of the capo opening accidentally. But if you have too much dropoff, too great a force is applied to the guitar neck while closing, and there could be too little pressure applied in the closed position for the truest tone. So you see, there is a JUST RIGHT amount of dropoff that makes for perfect capoing. Another benefit of dropoff. It is a well known fact that if a capo is too tight, it can stretch the strings out of tune. Most players understand that there is a "just right" amount of pressure for best capoing, too. The dropoff in the closing action of the Shubb capo serves as a built-in safeguard for those players who are not clear on this concept, and who might have a tendency to over-tighten a capo. In other words, it prevents the unwise user from putting his guitar out of tune by not allowing him to bring the capo to rest in its tightest possible position. While this feature of the Shubb capo is not especially obvious to most users, it does in fact contribute to the Shubb's excellent reputation for not causing tuning problems --- On the original Shubb capo, the dropoff increases at the smallest end of the capo's range, and decreases at its widest end. In other words, when used on an very thin guitar neck, the dropoff effect is exaggerated. In the extreme, it could result in insufficient pressure on the strings when engaged. On an unusually thick neck, the dropoff is minimal. In the extreme, it could result in an insecure lock, or too much pressure on the strings when engaged. Roller mechanism The roller mechanism equalizes the dropoff across the full range of the capo. Because the roller head adjusts upward on an arc (as opposed to a straight line) it moves inward toward the center curve of the middle piece of the capo as it is tightened - so it does not move further past center when it is set tighter. This maintains a relationship between the moving parts that results in the same, ideal amount of dropoff at any point within the capo's working range. So you get the ideal amount of dropoff on a thin neck, on a thick neck, and all those in between... and on different parts of the same neck.

Lite capo for ukulele The Shubb Lite is made of aluminum. It weighs less than one ounce. Is a Lightweight capo for you? Maybe. Some people associate a certain amount of heft with quality, while many others feel that a capo should be as light as possible. Neither opinion is right or wrong; it's a matter of choice. If a lighter weight capo is to your liking, and that of your instrument, then the Shubb Lite is definitely the capo for you!

THE GO-TO S-STYLE SIRE GUITAR The traditional S-shaped electric guitar is improved with electronics and hardware specs that are Larry Carlton-appointed to match most types of guitar playing styles from classic to contemporary. It offers modified neck features that make the playing experience and its value more exceptional. FEATURES - The wood materials used on the body and neck of the S3 are specified to match the playing experience acquired from higher priced guitars. - Its electronics and hardware Finely configured to the tonal preferences of Larry Carlton. - EDGELESS The fretboard edges of this guitar are meticulously rolled and smoothend to give you an apgrade neck feel and enhance your overall playing experience. - Finely detailed hardware and defined electronics To give the kind of feel and sound quality usually found on higher level models. - The S-style body The Mahogany made body of the S3 is patterned from the Larry Carlton- approved traditional S-style shape of the S7 known to be lightwight and comfortable. - The S-style neck A C- chaped hard maple neck with edgeless rosewood fretboard to make landing of chords and guitar solos seem effortless. - Sire super ST pickup set Composed of Larry Carlton approved humbucking in the bridge position and a single coil in the middle and towards the neck to showcase his sophisticated tonal varieties. BODY Body Material: Mahogany Body Shape: Sire S-Style Shape Body Color: TS, VWH, DRD, PINK, SNB, BK NECK Neck Material: Hard Maple Neck Shape:: C-Shape Scale: 25.5" Fingerboard Material: Rosewood, Edgeless™ (Rolled Fretboard Edges) Fingerboard Radius: 9.5" Frets: 2.7mm Medium Jumbo String Nut: Bone Nut, 42mm Width Inlay: Ivory Dot Neck Joint: Four Bolt Steel Square Plate ELECTRONICS Pickups: Sire Standard-ST Pickup Set Controls: Volume, Tone, 5 Way Lever Switch Knobs: BK Strat Knob(Volume and Tone) HARDWARE Bridge: Sire Standard Tremolo Bridge(2 Post Type) Tuning Gear: Sire Standard Tuner Hardware Finish: Chrome Pick guard: White 3ply

THE GO-TO S-STYLE SIRE GUITAR The traditional S-shaped electric guitar is improved with electronics and hardware specs that are Larry Carlton-appointed to match most types of guitar playing styles from classic to contemporary. It offers modified neck features that make the playing experience and its value more exceptional. FEATURES - The wood materials used on the body and neck of the S3 are specified to match the playing experience acquired from higher priced guitars. - Its electronics and hardware Finely configured to the tonal preferences of Larry Carlton. - EDGELESS The fretboard edges of this guitar are meticulously rolled and smoothend to give you an apgrade neck feel and enhance your overall playing experience. - Finely detailed hardware and defined electronics To give the kind of feel and sound quality usually found on higher level models. - The S-style body The Mahogany made body of the S3 is patterned from the Larry Carlton- approved traditional S-style shape of the S7 known to be lightwight and comfortable. - The S-style neck A C- chaped hard maple neck with edgeless rosewood fretboard to make landing of chords and guitar solos seem effortless. - Sire super ST pickup set Composed of Larry Carlton approved humbucking in the bridge position and a single coil in the middle and towards the neck to showcase his sophisticated tonal varieties. BODY Body Material: Mahogany Body Shape: Sire S-Style Shape Body Color: TS, VWH, DRD, PINK, SNB, BK NECK Neck Material: Hard Maple Neck Shape:: C-Shape Scale: 25.5" Fingerboard Material: Rosewood, Edgeless™ (Rolled Fretboard Edges) Fingerboard Radius: 9.5" Frets: 2.7mm Medium Jumbo String Nut: Bone Nut, 42mm Width Inlay: Ivory Dot Neck Joint: Four Bolt Steel Square Plate ELECTRONICS Pickups: Sire Standard-ST Pickup Set Controls: Volume, Tone, 5 Way Lever Switch Knobs: BK Strat Knob(Volume and Tone) HARDWARE Bridge: Sire Standard Tremolo Bridge(2 Post Type) Tuning Gear: Sire Standard Tuner Hardware Finish: Chrome Pick guard: White 3ply

THE GO-TO T-STYLE SIRE GUITAR Sire T3 is Larry Carlton-approved electric guitar in the T-style line with modified neck features at a competitive value. This model's structure is designed to produce a prominent pure, clear & balanced sound for live performances and studio recordings. FEATURES - The latest addition in the Larry Carlton series, the T-style electric guitar is charged with vintage quality design and sound from body, neck features, hardware and electronics. - Sire T3 ensures a Larry Carlton-approved pickup set, tuners, bridge, knobs, wood work and craftmanship. - Its electronics and hardware Finely configured to the tonal preferences of Larry Carlton. - Finely detailed hardware and defined electronics To give the kind of feel and sound quality usually found on higher level models. - The T-style body Made with Mahogany, T shaped body guarantees a tight and balanced tone, the perfect tonal platform for the thick sounding pickups. -The T style neck A C- chaped hard maple neck with edgeless rosewood fretboard to make landing of chords and guitar solos seem effortless. Sire standard T pickup set A Larry Carlton approved 2 single coil pick up set designed to produce his tonal preferences in a T style electric guitar. BODY Body Material: Mahogany Body Shape: Sire S-Style Shape Body Color: TS, VWH, SNB, DRD NECK Neck Material: Hard Maple Neck Shape:: C-Shape Scale: 25.5" Fingerboard Material: Rosewood, Edgeless™ (Rolled Fretboard Edges) Fingerboard Radius: 9.5" Frets: 2.7mm Medium Jumbo String Nut: Bone Nut, 42mm Width Inlay: Ivory Dot Neck Joint: Four Bolt Steel Square Plate ELECTRONICS Pickups: Sire Standard-T Pickup Set Controls: Volume, Tone, 3 Way Lever Switch Knobs: Metal Dome Knob HARDWARE Bridge: Sire Standard-T Bridge (6 individual Saddle) Tuning Gear: Sire Standard Tuner Hardware Finish: Chrome Pick guard: White 3ply

electric guitar T-style butterscotch blonde Quality crafted guitars for all. T-shaped electric guitar with a traditional design and sound. The Sire T7 has a rolled edge fretboard and a satin neck finish for a better playing experience. Specifications: Body body shape: Sire T-style body wood: alder Neck neck wood: roasted hard maple neck shape: C-shape, rolled fingerboard edges scale: 25.5” neck joint: 4-bolt with steel square plate nut: bone, width 42mm fingerboard radius: 9.5” frets: 22 medium jumbo frets (2.7mm) inlays: abalone dots Electronics pickups: alnico 5 S-S T7 pickups, chrome and black controls: 1x volume, 1x tone, 3-way lever switch Hardware bridge: T7 vintage bridge with brass saddles tuners: Sire premium die-cast locking tuners hardware finish: chrome knob and switch tip: chrome and black pickguard color: 3-ply black

5-string active bass guitar tobacco sunburst Living legend and his bass Marcus Miller and SIRE wish to see everyone enjoying and playing music. To make this happen, Marcus Miller and SIRE have been on a mission for several years to build the best quality bass at an unbelievable price, making it available to everyone. The result is a new line of Marcus Miller bass models that have a fantastic sound and look, and are high quality but with an extraordinarily low price. We are ecstatic that SIRE Marcus Miller basses are now available to everyone with a new hope that more people will be able to play and enjoy the music they love. Indonesian mahogany body and Canadian hard maple neck The V3 body is made with Indonesian mahogany which is known for its warm, clear, full-bodied sound. The neck is made with Canadian hard maple for a premium look and feel. Marcus Miller Heritage-3 Preamp Top notch 3-band EQ preamp newly developed for this series to meet the needs of Marcus Miller’s versatility and to cover various styles of music. Rolled fretboard edges What only custom shops can achieve, is now on the Sire 2nd Gen. These rounded edges will give users a firmer and more natural grasp compared to other typical fretboards. Highest quality hard & clear paint The V3 is coated with the highest quality paint that is also used in the V7 and M7 series. This gives the V3 a more elegant look compared to other introductory basses that are applied with low-cost paints. Body body material: mahogany body shape: new Marcus Miller jazz type body color: tobacco sunburst Neck neck material: Canadian hard maple neck shape: C-shape with rolled fingerboard edges scale: 34" neck joint: 4 bolt steel square plate fingerboard: rosewood fingerboard radius: 9.5" frets: medium small, 20 frets string nut: 5 string – natural bone 46mm width binding: none inlay: white pearl dot Electronics pickups: Marcus standard J-revolution set preamp: Marcus heritage- 3 with middle frequency control controls: volume/tone (dual pot) : pickup blender : treble : middle/middle frequency (dual pot) : bass, mini toggle (active/passive) Hardware knobs: plastic jazz type in black bridge: Marcus standard bass bridge with body thru hole tuning gear: Marcus standard open gear hardware finish: chrome pick guard: 3-ply black/white/black

Specifications: Body body material: North American alder body shape: new Marcus Miller jazz type body color: Tobacco Sunburst Neck neck material: roasted hard maple neck shape: C-shape with rolled fingerboard edges scale: 34" neck joint: 4 bolt steel square plate fingerboard: roasted hard maple fingerboard radius: 9.5" frets: 2.4mm medium, 20 frets string nut: 4 string – natural bone 38mm width binding: 1 ply black inlay: black square blocks Electronics pickups: Marcus vintage J-revolution set preamp: passive volume and tone control controls: volume (neck PU), volume (bridge PU), tone (master) Hardware knobs: plastic jazz type in black bridge: Marcus Miller Vintage S tuning gear: premium open gear hardware finish: chrome pick guard: 3-ply black

A J-45 with 60s styling When you listen to a Gibson round-shoulder acoustic, you will notice that it responds exactly to the player's style and technique - powerful one moment, soft and mellow the next. This 60s J-45 Original offers a period-correct 1 11/16’’ nut width, allowing for comfortable fingering in any position along the mahogany neck. The easily-adjustable saddle can be fine-tuned to players' unique string action preference. The new 60s J-45 Original features double antiqued binding, Grover strap cream button tuners, and our famous white pickguard with hot stamp logo. ----------- Body Shape J-45 Back & Sides Mahogany Top Sitka spruce Binding Multi-ply Top, single-ply Back Neck Neck Mahogany Profile Round Nut width 1.687* / 42.84mm Fingerboard Rosewood Scale length 24.75* / 628.65mm Number of frets 20 Nut Bone Inlay Mother-of-pearl dots Hardware Bridge Traditional belly up, Adjustable Tuners Grover Strap Cream Button Case Case Hardshell Case

Stagg SCPX-FL CR Capo Classic - Buet "trigger" (buet gripebrett) capo for western/el.gitar Farge: krom

Diecast machine heads 2 x 3, for acoustic guitar - buttons: composite wood, black

Strap buttons with locking system - colour: chrome.

Woven nylon neck strap for ukuleles with sound-hole hook, blue flower pattern - Length: 69 - 91 cm (adjustable thanks to two buckles) - Width: 25 mm - Sound-hole hook: Plastic

The Ray4 bass is the cousins of the Music Man StingRay 4 bass. Classic, iconic instruments that defined a generation of bassists since the late 70's. Active electronics, low noise hum bucking pickups, rock solid hardware and a simple, uncluttered look that is instantly recognizable and respected. - -Basswood body -Maple neck with Jatoba fretboard -21 frets -6 bolt neck attachment -H1 ceramic humbucker -Active preamp with 2-band EQ

The Ray4 bass is the cousins of the Music Man StingRay 4 bass. Classic, iconic instruments that defined a generation of bassists since the late 70's. Active electronics, low noise hum bucking pickups, rock solid hardware and a simple, uncluttered look that is instantly recognizable and respected. - -Basswood body -Maple neck with Jatoba fretboard -21 frets -6 bolt neck attachment -H1 ceramic humbucker -Active preamp with 2-band EQ

Switchcraft SC-11 chassis connector jack. 2-pole. nickel. 6.3mm. .276 bushing depth. 3/8" 32 thread

Thick panel jack, for 6,3mm, 3-pole, brass, Made in USA

Thick panel jack, for 6,3mm, 3-pole, black, Made in USA

Endpin jack, solder 6,3mm fem jack, nickel, made in USA

Switchcraft toggle switch 3-veis, nikkel, uten topp Made in USA

toggle switch 3-way angled, no cap, for thin body guitars (SG, Explorer, Firebird), nickel Made in USA

Made in USA